Gear
DRONES
INSPIRE 3
Heavy-Lift drone qualities in a much more compact size! Unleash cinematic brilliance with the DJI Inspire 3 Drone. Featuring the X9 with a 8K Sensor and a game-changing FPV camera, it captures awe-inspiring footage. With obstacle avoidance, centimeter-level RTK accuracy, and tracking solutions, the Inspire 3 delivers precise and repeatable shots. Redefine visual storytelling and command the skies with this epic drone.
INSPIRE 2
Ignite your aerial creativity with the DJI Inspire 2. It captures stunning 5.2K video and 20.8-megapixel photos, soaring at speeds up to 58 mph. Avoid obstacles effortlessly with its advanced sensing system. With intelligent flight modes and a professional-grade control system, the Inspire 2 takes your aerial cinematography to new heights.
MAVIC 3 CINE
If the Inspire is still a little big for your needs, let us suggest this beauty! This drone may be small, but it’s packed with a lot of features! The Mavic 3 Cine has a stunning Hasselblad Camera with a 4/3 CMOS sensor, 12.8 stops of dynamic range, amazing low light performance, resolutions up to 5.1K at 50fps, and 4K at 120fps! Another great feature is up until now, there hasn’t been a small drone that’s been able to film at 422HQ until this little guy. And the craziest thing is it can fly up to 46 minutes on one single battery!
MAVIC 2 PRO
On a budget? Don’t stress… this little guy can get some beautiful stuff for your aerial needs! With a powerful 1” Sensor and co-engineered with Hasselblad, you’re definitely getting some superior quality at full 4K! The best part about this drone is it’s size, get into those close-range areas where our other drones can’t fit, fly indoors, and be able to release from the palm of your hand.
AVATA
The DJI Avata is a compact drone designed in a Cinewhoop-style. Unlike DJI's other camera drones, the Avata lacks folding limbs and incorporates a single-axis gimbal camera. Enclosed within a protective cage, this camera is positioned behind the battery. With its 48MP 1/1.7-inch sensor, 155-degree field of view, and f/2.8 aperture, the DJI Avata delivers exceptional image quality. It supports 4K video recording at up to 60fps and 2.7k video at up to 120fps, and its stability is enhanced by RockSteady and HorizonSteady electronic image stabilization.
FPV
FPV stands for First Person View, which means the pilot experiences the flight from the perspective of the drone itself, as if they were inside it. This immersive perspective allows for dynamic and captivating shots that were previously difficult or impossible to achieve with traditional camera drones. These drones are designed for high-performance flight, capable of swift maneuvers, tight turns, and rapid acceleration. This agility allows us to capture fast-paced action sequences, follow moving subjects, and navigate through challenging environments with ease.
CABLE CAMS
DACTYLCAM PRO 48V
Designed and engineered for broadcast, live events, and feature films needing higher capacity payloads, redundant safety features, and the power to perform in harsh environments. This cable cam supports any gimbal allowing you to glide cameras such as ARRI, RED or Sony cameras and gives you the capability of getting the shots that a drone would not be typically able of flying through safely. With the adjustable speeds at 30+ mph, quick turn-around for getting multiple shots, it’s no wonder why this piece of equipment is getting so much attention.
RAIL CAMS
The Junior C is our latest remotely operated rail cam! The tracks are very compact to only 2” wide, can be deployed and easily integrated in the smallest sets and studios. A telescopic column adds a perfectly stable motorized vertical axis from 3 1/2’ to 5 1/2"‘. The Junior C is compatible with any camera or lens package, can embark a 2/3” HD lens up to 160mm with perfect stability. All rail cam, camera and lens data are transported over a single power cable or SMPTE optical fiber. Can also be controlled over Internet Protocol (COIP) allows machines to communicate over an Ethernet network and opens many new possibilities
JUNIOR C
RHYTHM TRACK
This rail cam is made to support all of your productions whether it’s broadcast, motion pictures, or entertainment. The Rhythm Track has all of the features! Can run low, with a boom, or even under-slung! Single person operating, 10 Hours of run time, can be setup as quick as 30 minutes, completely silent for all of your production needs, and has super precise control for your critical moves! Works with multiple camera systems, our Defy EX250, EX350, and any other camera you’d prefer on our Freefly Systems Movi Pro gimbal. Let us know what you need and let’s get you gliding!
DOLLY SYSTEMS
AGITO
Our newest way to Glide! Designed as a versatile tool for filmmakers, AGITO offers a range of configurations to accommodate various filming requirements. It serves as the ultimate Swiss Army knife in your filmmaking arsenal. As a free-roaming remote dolly system, AGITO empowers you to achieve incredibly smooth camera movements, reaching heights of up to 6 1/2 feet. For those seeking consistent and repeatable movements, AGITO MagTrax provides a solution by utilizing a discreetly laid or embedded magnetic strip on your set. This hidden magnetic strip ensures precise tracking along a predetermined path, guaranteeing consistent results with every take. The magnetic strip can be easily positioned and repositioned between takes, allowing for quick adjustments and flexibility on set.
KILLSHOCK RECON
Our Kessler Crane Killshock Recon creates the gliding sensation of a drone but from the ground! This car is equipped to carry any of our gimbals or our EX250 and EX350 Cameras. It can reach speeds of up to 50mph!!! Perfect for tracking your fast paced subjects whether cars, animals, sports, you name it! You can also switch it up for your slow-moving shots and make the car be the low dolly shot without laying down any pipe!
CLOUND MOUNT
This is a all-in-one solution and usually requires no additional grip and rigging hardware to implement. Other vibration isolator systems rely extensively on third party rigging and hardware which drastically increases the time necessary to get up and rolling and increases the cost of a working system. The Cloud Mount can be deployed to its standard configuration and ready for your gimbal very quickly. With a small reconfiguration you can change to a ‘sidecar” or “underslung” position. Great for driving shots and B Roll!
TOWER CAMS
TOWER CAM
Experience elevated possibilities with the TOWERCAM. This innovative device is capable of operating in two orientations: inverted and upright. Serving as a dynamic and remote-controlled telescoping camera column, the TOWERCAM seamlessly integrates with any standard remote head offering a 360° pan capability. The column delivers exceptionally smooth and nearly silent telescoping movements, regardless of whether it is positioned upright or inverted. With its user-friendly design, the TOWERCAM requires only a single operator to achieve outstanding results.
GIMBALS
SHOTOVER G1
Introducing the king of gyro-stabilized gimbals! This gimbal combines lightweight construction and weather resistance to deliver unwavering stability and exceptional functionality. The G1’s open design empowers operators to select the perfect payload for their specific requirements. Its lightweight nature enables swift mounting on motorcycles, tracking vehicles, cranes, cables, and virtually any moving apparatus. With this versatile gimbal platform, you can trust in its stability and adaptability for seamless capturing in various environments and scenarios.
MOVI PRO
You will be so surprised when you pick this stabilizer up at how light it is. With the ability to carry a payload of up to 15 pounds this bad boy can handle almost anything you throw at it including: RED, Alexa Mini, Sony F55, C300 and many many more. When paired with our MOVi controller we have the ability to operate dual mode while controlling Focus, Iris, and Zoom. Also integrating a full cage system your camera will never be more stabilized while running, flying, or cruising. We pair our MOVi with the Connex wireless video system which allows latency free 1080 transmission at over 1500′.
RS3 PRO
The DJI RS3 Pro Gimbal Stabilizer underwent a redesign to enhance its appearance and performance compared its predecessor. It now features a sleek carbon fiber body weighing just 3.3 lb, while offering an impressive payload capacity of up to 10 lb. Despite its compact size, this gimbal is exceptionally robust and capable of supporting and stabilizing midsize cameras like the Sony FX6 or Canon C70 with a 24-70mm zoom lens attached. Notably, the RS3 boasts a larger full-color OLED display, a newly added fine-tuning knob, and improved stability, making it an indispensable addition to any professional camera kit.
CAMERAS
EX250
The EX250 is a 4K high performance, all weather, 3-axis gyro stabilized camera system for any mobile or static camera positions. This cameras has a 1” CMOS Sensor with an unbelievable 144X zoom range of 25-600mm! The FIZ is completely built in to this design and all with programmability features. The EX250 has the ability of full control remotely, like frame rate, shutter, white balance, color control, iris, or optional Sony RCP control. Let’s not forget built-in ND filters with 4 built in stops! And one of the best features of all, only minutes required to set up!